Schedule.

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Sept. 2 Meet in RAS 312 (classroom).  intro. + Historical geology

 

Readings for today's class:

4-6             Course Description

7                Schedule and Class Locations at a Glance

8-18                     Reading Schedule

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COURSE POLICIES AND RESOURCES

19-21         Group Participation Guidelines

22-24         Guidelines for Listening

25              Racial Harrassment Policy

26-27         Sexual Harrassment Policy

28-29         Drug and Alcohol Policy

30              Undergraduate Writing Center in FAC 211

31-32         Learning Skills Center

33              Changing your email address for Blackboard

34-35         Grades Definition

35                           Teaching Philosophy

37              Discovery Learning

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WRITING INSTRUCTIONS, EXAMPLES, ADVICE

36                           Previous Course Goals

39-40         Learning Record Instructions

41-47                 Crowe, "Nature and the Sense of Place"

48-52         Lopez, "A Literature of Place"

53              Wordsworth,  "Michael, A Pastoral Poem"

54              Pater, introduction

55-57         Pater, "The Child in the House"

57B            Dickens, introduction

57C-58      Dickens, from Hard Times

59-62                 Shideler, "The Classroom's Sense of Place"

63-66                 Road Map of Your Spiritual Journey

67-68         Formal Writing Project Instructions

69-76         from Drawing on the Right Side of the Brain

77              from Writing the Natural Way

78-79         from Wild Mind

80-90         Faigley, "Effective Visual Design"

91              Why spell checkers are not enough

92-95                  Appositives

96-97                   Hyphens

98-101              Verb Tense Consistency

102            Coherence

103            Web Site Citation guidelines

104-105     Putting Pages on the Web  Using Webspace

106            Web Projects

107-110     Polished Writing Instructions II: Revising the Essay

111-115     Some Third Hour Activities Related to This Course

116            Map of Campus

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THE HISTORY OF LIFE ON THIS PLANET

117-125     Ellison and Jones, "Walking the Forty Acres"

126-129     Evolutionary and Geological Timelines

 

Class activities: Find TMM on map for next time, work on questionnaires discuss A1, A2 and first project. Then we will leave the classroom and take a tour of some of the buildings on campus. Look for buildings on which you might want to do a project. Our guide will be Ellison and Jones, "Walking the Forty Acres," about the stones from which the buildings are made.

 

 Focusing on the stones in your projects, if you choose to do so, brings into your projects immense corridors of time in terms of geology and biology etc. as well as human history. One human history angle stones can invite, for example, is the roots of our culture in Israel, especially Jerusalem, whose buildings are often constructed of Jerusalem stone, which is apparently similar to the limestone from which campus buildings are often made.

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Sept. 9 Meet at street entrance of Texas Memorial Museum (east of the Mustangs) Historical biology I: TMM then Waller Creek

 

Writing Due Today: Questionnaire. .Learning Record parts A1. A2.

36-6                    Learning Record Instructions

 

Readings for Today's Class:

135-139, Texas Memorial Museum

Review 117-125, Ellison and Jones, "Walking the Forty Acres"

[1] Read Tennyson's #123 (from (In Memoriam), on p. 143, which focuses on the firmament of time. This is the poem quoted on the south side of the Hogg building, referring to the time when this part of Texas was at the bottom of the sea.

[1] Read "Carved in Stone" on 144-147 on the fossils in Texas and especially those around Austin. Fossils are seen not only in the Texas Museum but also in Waller Creek and in the stones of many buildings on campus. Relate to the quote from Eiseley's Firmament of Time on 148

[2] Read "Evolution" on p. 154 on the debate between Darwinism and the literal interpretation of the Bible. Basically, the problem was the belief that fossils and multiple strata in the crust of the earth (more than seven) meant that Genesis could not be LITERALLY true. This was not necessarily a problem for a Rabbi or a Jesuit priest, but fundamentalists, then and now, who insist on a literal interpretation of the Bible may be troubled by this.

[3] In that context read poem #56 on 142 (In Memoriam), written by Tennyson when speculated on the meaning of fossils in "scarped cliff and quarried stone." In this poem "type" means "species." As you can see, to him, fossils provide that species could become extinct, and thus according to the Darwinian interpretation, homo sapiens also could become extinct. If this is true, he feared, churches and organized religion based on the Bible could become meaningless and "love thy neighbor as thyself" reverts to the war among dinosaurs and other "dragons of the prime." Eventually he solved the problem in the same series of poems (In Memoriam), but this is a famous statement of the predicament.

[4] Read 155-160 to see for yourself what Darwin said.

[5] Learn about Waller Creek from the readings below:

 

162-3                 Waller Creek, introduction

164-167          Ellison and Jones, "Waller Creek Walk"

168            Jones, introduction

169-176     Jones, from Life on Waller Creek

177-183                    Jones, "Anatomy of a Riot"

184-194                        "Committed 'til Death"

195-197     Oliphant, "San Jacinto"

198            Barney "On a Detail from Audubon"

199            Barney, "Mr. Bloomer's Birds" [describes Boat Tailed Grackles -- the most common birds at Waller Creek]

 

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Sept. 16 meet south of  Hogg. Historical biology II: Hogg to Tower Gardens/ Biology Ponds where we will meditate on Fish, Reptiles, Evolution, and the Sympathetic Imagination.

 

Writing due: LR Statement of YOUR course goals.

LR reading:

38              Previous course goals

39-40         Learning Record Instructions

Project readings:

41-48                 Crowe, "Nature and the Sense of Place"

48-52         Lopez, "A Literature of Place"

53              Wordsworth,  "Michael, A Pastoral Poem"

54              Pater, introduction

55-57         Pater, "The Child in the House"

57B            Dickens, introduction

57C-58      Dickens, from Hard Times

59-63                 Shideler, "The Classroom's Sense of Place"

63-67                 Road Map of Your Spiritual Journey

67-68         Formal Writing Project Instructions

 

 

Readings for today's activities:

Review  154-161 on Darwin and Evolution

361            Berry, Botanical Pools

200-201     Bate, The  Sympathetic Imagination"

202            Lawrence, introduction

203-216     D. H. Lawrence, Reptile and Fish  poems

217            Harrigan, introduction

218-224     Harrigan "Swamp Thing"

225            Barney "On Greer Island"     

226            Definition of a Garden

227-229     Tower Memorial Garden

230-234     Arnold, introduction, and "Kensington Gardens"

235-6         Forster, introduction

237-242     Forster, "The Other Side of the Hedge"

243            Directions for Writing in Nature

537-584     Berry, Brick by Golden Brick: A History of Campus Buildings at the University of Texas at Austin: 1883-1993, especially pp. 559-560 on Will C. Hogg Building

 

Class activities: Decide on when to go to Zilker Park.* Landscape architecture: compare to Taniguchi garden, Ft. Worth Japanese garden, Versailles, Blenheim, etc. Check out previous classes at work here on our web site.

Journal at ponds incorporating 1 citation from Arnold and 1 from Forster. Upload to Tower Garden Discussion Board by Sept. 18.

At the end of the hour show instructor at least two pages of what you have written before you leave.

 

 

*Bring your calendars so that we can decide in class we meet at Treaty Oak and the Japanese Garden in Zilker park and when we have our class party at my little ranch.

The Japanese Garden was built by Isamu Taniguchi, father of a dean of the school of architecture and author of "The spirit of the garden": "one unified beauty... the embodiment of the peaceful coexistence of all the elements of nature." Before we go there, read 187-202 on the garden and other sites in Zilker Park. Also, when we go to Zilker Park for third hour activities you might want to check out Philosopher's Rock --the statues of Texas nature writers, Dobie, Bedichek, and Webb, in front of the swimming pool -- and the Umlauf Sculpture Garden and, if time, take a canoe ride out into the "lake." Check out pictures of all these places on our web site.

 

Readings for Zilker Park excursion:

244-245     Treaty Oak history

246-254     Harrigan "The Soul of Treaty Oak"

255            Form for visit to the garden

256-257     Isamu Taniguchi

258            Taniguchi, "The Spirit of the Garden"

259-269     Bauld, "The Mother Tree"

270            map of Zilker park

271            Map of Zilker Botanical Garden

272-277     Zilker Park third-hour options,

278-283     Philosopher's Rock

284            Hartman Prehistoric Garden

 

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Sept. 23 Meet at Bob Bullock Story of Texas Museum at Speedway and Martin Luther King. The History of  Texas and the West I. Bring $12.50 and plan to attend the 3-D movie Texas afterwards. Write up how the movie affected your sense of place for a third-hour activity

 

Writing due: First Project (on Sense of Place) to be Posted on Website before class. (Project 1 Discussion Board). See instructions for the project. Paste in text only or upload as an Attachment [saved in Microsoft Word format], or as an HTML link to your  URL on webspace or .......

Readings for Project Assignment: See Sept. 16.

 

Readings for today's class activity:

116            Map of campus  

285-287     Story of Texas museum

288-296     Ragsdale et al, "History is My Home: A Survey of  Texas    Architectural  Styles"

297-299     Texas Savenger Hunt Worksheet

Review Crowe, Lopez, Wordsworth on Sense of Place.

 

Computer Work Assignment: Because THE SECRET OF WRITING IS REWRITING respond to projects of others by Sept. 28. Responses that consist solely of generic phrases, such as "Good Job," that do not reveal detailed knowledge of the project, will not be acceptable. You must respond in sufficient detail  to reveal that you have read the project closely.  Let the author of the essay know how it affected you as a reader, where you were pleased, where you got confused, where irritated, etc. In general, evaluate the other students' essays as works of art. If each essay were, say, a statue, which little as well as big flaws should be corrected?

Respond to at least half the class. 2 points for each response IF for each person you suggest [1] how to expand the essay and [2] how to revise one of the sentences.

ü      

ü     *How to Respond to Other Students' Projects.

ü     [1] You must quote a whole sentence of the student's essay that has not been quoted by a previous respondent and specify where the sentence needs improvement and then rewrite the sentence to improve it. For the subject line of your reply, paste in the sentence you are going to rewrite so that it will be easier for others to see what sentences are left for revision.

ü     [2] In addition, you must make suggestions on how to add a page or more of new material.

ü      

ü     Grading: Remember that responding properly to the correct number of projects before the deadline is not just part of your class participation grade but also, and more importantly, your portfolio grade (10% of your final grade). For your portfolio you will print out all of your responses to other students and their quality will be fairly obvious  in that format.

You must respond to at least half the class in detail. You get extra credit for every three people over the required half of the class to whom you respond. This extra credit can be used to improve your class participation grade.

 

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Sept. 30 Meet at Dobie's house, 702 E. Dean Keeton St. (now the Michener Center for Writers). Opposite chilling station no. 4 and the law school. The History of  Texas and the West II.

Writing due: Hard Copy of First Project (on Sense of Place):. HAND IN 4-6 PAGE ESSAY ON YOUR SENSE OF PLACE IN A POCKET FOLDER WITH NAME ON OUTSIDE. (In the case of websites hand in URL and complete screen shots of each screen.) Include a printout of the suggestions of other students and highlight the suggestions you incorporated in your essay.

*For your hard copy pay special attention to 19A-19K Effective Visual Design. You may include pictures in this assignment. The purpose of the pictures is for you to become acquainted with the integration of verbal and visual rhetoric that has become common in the field these days and to gain some practical experience in preparing a brochure. Make sure to identify or title all pictures and make them big enough (at least 2.5 X 3.5) by using Adobe Photoshop or some equivalent program.

*As suggested in most definitions of the grade of A, such as that on p. 26  of your anthology, you will need to go beyond the ordinary, in the quality of your prose, and/or in the quality of your insights to receive that grade.

 

Readings for today's class:

300-317     Dobie, "The Longhorns" [relate to statue of Longhorn at Alumni Center]

318-360     Dobie, "The Mustangs" [relate to statue at Texas Memorial Museum]

361-364     Mustangs at U.T. 

365-371     Longhorns at U.T.

372            "Longer Horns"

373            Windberg, San Jacinto Longhorn

374            Longhorns Our Totem Animal?

375-379     A Dying Breed?

380            Reverence for cattle in India

381            Ransom, on Dobie

382-385     Dobie introduction;

386-387     Local Writing

537-584     Berry, Brick by Golden Brick: A History of Campus Buildings at the University of Texas at Austin: 1883-1993, especially pp. 547-548 on Texas Memorial Stadium,  551-552 on the Weaver Power Plant, and 571-574 On the Alumni Center, 579 on the Seal Monument, 584 on the Seal of the University

 

Review

177-183        Jones, "Anatomy of a Riot" (on Dobie etc.)

278-283     Philosopher's Rock Jones, "Anatomy of a Riot"

 

Class activities:

Check out pictures of the journeys of previous classes to these landmarks on our web site. Also check out http://www.cwrl.utexas.edu/%7Ebump/E309K/rock.html

At Dobie's house we will see the memorabilia. Then we will go on to the statue of the mustangs  in front of the Texas Memorial Museum, cited by Dobie. Then to the statues in front of the Alumni Center, perhaps stopping at the stadium along the way. At the Center you will see more Western art and make journal entries in long hand about what you have seen, incorporating at least one quote from Dobie's The Mustangs and one from his The Longhorns.

At the end of the hour show instructor what you have written before you leave.

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Oct 7 Meet at the Cactus entrance (south) of the Union (Western Art III); Then to the Harry Ransom Humanities Research Center for more on Western Art, G. M. Hopkins and the British sense of place, writing as rewriting, etc.

Writing due: Learning Record list of goals (revised) and self-observation of how well you are meeting your goals.

Readings for today's activities:

537-584     Berry, Brick by Golden Brick: A History of Campus Buildings at the University of Texas at Austin: 1883-1993, especially pp. 561, on the Texas Union, and 575-576 on the Ransom Center.

388            Ransom Center Map

389-392   Guide to southeast corner window,  including Dobie

393-419     Bump, "Manual Photography: Hopkins, Ruskin, and Victorian  Drawing"

420-421     Ruskin, introduction

422-423     Hopkins, introduction

434-433     Bump, "Catalogue of the Hopkins Collection"

434            Hopkins, "Spring";

434-435     Hopkins, "In the Valley of the Elwy"

 

 

Internet preparation for today's activities: Preparation for our visit to Hopkins's drawings in the HRC: go to

http://www.cwrl.utexas.edu/~bump/images/Hopkins/

Here are pictures of some of the drawings (or ones similar to them) that we will see at the HRC, listed as drawings1.jpg, drawings3.jpg, and drawings4.jpg

 

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Oct. 14 Meet at Story of Texas museum for walk to State Capitol (Hellenism 1)

 

Class activity: compare the Capitol with the Pantheon and with Gothic architecture such as that of St. Mary's in the distance.

 

Readings for today's class:

439-478           Crowe, Nature and the Idea of a Man-Made World, especially pages   455-461 on the Pantheon

478B-C      Pugin, introduction

479-486          Pugin, Contrasts (comparing  neoclassical architecture [such as that of the Capitol] with Gothic architecture)

487            Hugo, introduction

488-498     Hugo, from Notre Dame De Paris, on architecture vs. printing

 

q       Writing Due: Revised Project due. Remember your grade will be reduced for each error that is repeated from your first draft! For example, if you had 2 points deducted for an error on your first draft, repeition of the error in the revised draft will result in a loss of 4 points for each occurrence. If the same error reappears in project two, it will be 6 points off, and if it recurs in the revision of project two it will be 8 points off for each occurrence.  So it pays to apply discovery learning to rewriting as well. If you try to avoid learning what you need to learn by rewriting the sentence or whatever, an additional 4 points will be deducted.

ü     Turn in to instructor a revised project in pocket folder with your name on the outside with

[1] revised project with ALL changes, even the smallest periods and commas, HIGHLIGHTED. If a change is not highlighted you may not get credit for doing it. If you omit a word just highlight the spot and write "word(s) omitted" in the margin.

If you move a sentence just write a note also to that effect.

If you add a lot of new material you can just draw a vertical highlight in margin rather than highlighting each sentence.

ü     [2] first project with instructor's original comments

ü     [3] suggestions from other students

ü     [4] If you are revising a website you follow these rules as they apply to your screenshots. You must upload the changes to the website.

Ÿ     *follow suggestions in 107-110 Polished Writing Instructions II: Revising the Essay

 

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Oct. 21 Meet at University Christian Church southeast of Littlefield Fountain.(Hebraism I): UCC, UTCC, UBC, UMC.

Readings for Today's Activities:

499            Definitions of  Gothic

500-526          Ruskin, "The Nature of Gothic"

527            Hopkins, "Duns Scotus's Oxford"

528-534     U.Chr.Ch., "Symbols of the Apostles"

535-536          Shell symbolism

Review Pugin and Hugo