<1> In this OOC-IC roleplay dialectic model, modes with a heightened awareness of the self as actor, or of being engaged in chatting, and environmental or classic roleplaying, could be placed within in-character or out-of-character realms, so they are not identified within either area exclusively.

Figure 9: Out-of-Character to In-Character Roleplay Dialectic

<2> I should note that while this roleplay dialectic model describes movement from out-of-character to in-character states, the model does not address the arbitrary and simple distinction drawn between out-of-character and in-character. But given the assumption that these terms possess recognizable meaning at least on the extremes of a spectrum of acting behavior, it is important to consider whose perspective is used to determine the demarcating boundaries between in- and out-of-character. Is the perspective that of the individual, the constructed "self," or the viewer, the theorist, or the inhabitants of the MUD environment? In addition, are the distinctions agreed upon by one or more of the above parties? If they are not, then what ultimate meaning do the distinguishing boundaries between in- and out-of-character, as well as other roleplaying terms, possess?

<3> In addition, when describing people's interactive behavior with terms such as chatting, for example, is the individual, or someone outside of the individual, deciding she or he is in a chatting mode in contrast to an acting mode? Moreover, does the person or an external observer decide that the person is playing a role at the same time she or he is engaged in chatting? It could be debated whose perspective more aptly describes the person's roleplaying status.

<4> Another study could be devoted to examining the impact of these different points of view in determining the meaning of certain terms in this discussion. Concepts such as "heightened awareness of self," "heightened awareness of self as actor," and "heightened awareness of self as character," for instance, may be defined distinctly, based on one's reference point. The point of view of the defining agent will have a definite effect on the determination and use of central terms in roleplaying and dramatic theory.

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