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Vol. 1, No. 1: Contents

Computers, Writing, Rhetoric and Literature


Works Cited


Abrams, M. H., general ed. The Norton Anthology of English Literature: The Major Authors, 5th edition. New York: W. W. Norton and Company, 1987.

Angelou, Maya. On the Pulse of Morning. New York: Random House, 1993.

Berk, Emily and Joseph Devlin, eds. Hypertext / Hypermedia Handbook. New York: Intertext Publications, McGraw-Hill Publishing Co., 1991.

Broumas, Olga. Beginning with O. New Haven and London: Yale University Press, 1977.

Chute, Robert M. &Apprehended: White Male." Exquisite Corpse 9: 1-4 (January - April, 1991).

Cohan, Steven, and Linda M. Shires. Telling Stories: A Theoretical Analysis of Narrative Fiction. London: Routledge, 1988.

Field, Michael, pseud. [Katherine Bradley and Edith Cooper.] Sight and Song. London: The Bodley Head, 1892.

----. Sight and Song, with Underneath the Bough. Oxford and New York: Woodstock Books, 1993.

Fletcher, Ian. "'Leda and the Swan' as Iconic Poem." Yeats Annual 1 (1982): 82-113.

Glob, P. V. [Peter Vilhelm]. The Bog People: Iron-Age Man Preserved. 1965. Rupert Bruce-Mitford, trans. London: Faber and Faber Limited, 1969. (Also Ithaca, NY: Cornell University Press, 1969.)

Graff, Gerald. Beyond the Culture Wars: How Teaching the Conflicts Can Revitalize American Education. New York: W.W. Norton and Company, 1992.

Harrison, James. Flying Dutchmen. Victoria, British Columbia: Sono Nis Press, 1983.

Hawisher, Gail, and Cynthia Selfe. "Letter from the Editors." Computers and Composition 7 (April 1990): 5-13.

Heaney, Seamus. Door into the Dark. New York: Oxford University Press, 1969.

----. North. London: Faber and Faber, 1975.

----. Poems 1965-1975. New York: The Noonday Press (Farrar, Straus, and Giroux), 1980.

----. Preoccupations: Selected Prose 1968-1978. New York: Farrar, Straus, and Giroux, 1980.

----. Wintering Out. London: Faber and Faber, 1972.

Hunter, J. Paul, ed. The Norton Introduction to Poetry, 3rd edition. New York: W. W. Norton and Company, 1986.

----. The Norton Introduction to Poetry, 4th edition. New York: W. W. Norton and Company, 1991.

Jeffares, A. Norman. A Commentary on the Collected Poems of W. B. Yeats. Stanford, CA: Stanford University Press, 1968.

Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Leon S. Roudiez, ed. Thomas Gora, Alice Jardine, and Leon Roudiez, trans. New York: Columbia University Press, 1984.

Landow, George P., and Paul Delany. "Hypertext, Hypermedia, and Literary Studies: The State of the Art." In Hypermedia and Literary Studies. Paul Delany and George P. Landow, eds. Cambridge, MA: The MIT Press, 1991. 3-50.

Melchiori, Giorgio. The Whole Mystery of Art: Pattern Into Poetry in the Work of W. B. Yeats. Westport: Greenwood Press, 1979.

Milloy, Marilyn. "Angelou's poem is for the people." Austin American- Statesman, 21 January 1993: A 11.

Morgan, Thaïs. "Is There an Intertext in This Text?: Literary and Interdisciplinary Approaches to Intertextuality." American Journal of Semiotics 3 (1985): 1-2.

Rosen, Leonard. "The Way to Design Creative Software for the Humanities." The Chronicle of Higher Education vol 41 no 38 (2 June 1995): A 48.

Van Duyn, Mona. Merciful Disguises: Published and Unpublished Poems. New York: Atheneum, 1973.

----. To See, To Take. New York: Atheneum, 1971.

Yeats, William Butler. The Poems, volume 1 of The Collected Works of W. B. Yeats. 1983. Richard J. Finneran, ed. New York: Macmillan Publishing Company, 1989.


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