"Only connect! . . .Live in fragments no longer.” E. M. Forster, Howards End (1910), ch. 22
‘One day when I was twenty-three or twenty-four this sentence seemed to form in my head, without my willing it, much as sentences
form in my head, without my willing it, much as sentences form when we are half-asleep, ‘Hammer your thoughts into unity’. For days I could think of nothing else and for years I tested all I did by that sentence [...]” William Butler Yeats (cited in Frank Tuohy, Yeats, 1976, p.51 ) hammer images
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DOCUMENTS IN YOUR COURSE ANTHOLOGY THAT WILL HELP YOU CHOOSE A SPOKESPERSON AND PROVIDE BACKGROUND FOR THE ANTIMODERNISM ARGUMENT
306-309 John Henry Newman, The Site of a University
310-321 Wordsworth at CAMBRIDGE
322- 335 Dougill, Oxford in English Literature
322-323 the experience of place
324-325 Hopkins’s “Duns Scotus’s Oxford”
326 Ruskin’s
Romantic, Gothic Oxford
327-332 Arnold’s dreaming spires, Scholar Gypsy, Thyrsis
333-335 Hopkins’s Oxford: “Binsey Poplars”
336-337 Pre-Raphaelite Oxford
338-339 Arnold’s “Scholar Gypsy” + “Thyrsis”
467-468 Hopkins, introduction
471-496 Bump, "Manual Photography: Hopkins, Ruskin, and Victorian Drawing"
497- 500 Hopkins’ college diaries, 1863-4
619-622A Ellison and Jones, “Walking the Forty Acres”
622B Living Among Skeletons and Ghosts
638-639 Klingenborg, Without Walls
641-643 Tower Memorial Garden
652-654 Arnold, introduction,
655 Arnold, “Kensington Gardens”
659 Jones, introduction
660-666 Jones, from Life on Waller Creek (1982)
667-672 Jones, "Anatomy of a Riot," Battle of Waller Creek
680-681 Isamu Taniguchi
682A Taniguchi, "The Spirit of the Garden"
682B Reading It in the 21st Century
682C-E “NeoConfucian Manifesto”
701-709 Miller, the “Modern” era, from The Disappearance of God
710 Antimodernism
711 Islamic “antimodernism”
712 Romanticism
713 Medievalism
714-717 Moreland, Medievalist Impulse in America
718 Historicism in architecture; H. H. Richardson + Romanesque
719 Gothic
720 Romanesque
721-740 Ruskin, “The
Nature of Gothic”
741-742 Pugin, introduction
743-746 Pugin, Contrasts
747 Old Main, University of Texas
748-749 Booton, “Spanish Plateresque Architecture”
750-751 Iconography of scallop shell stone carvings at U. T.
756-760 “History is My Home”: A Survey of Texas Architecture
761 U.T.’s neoclassical homes: Woodlawn and Sweetbrush
762-763 Columns and Domes
764-771 Nicholas Clayton, Texas’ First Registered Architect
772-774 Selected Victorian Eclectic “Gothic” Architecture in Texas
775-785 Victorian Downtown Austin
786-794 Blackwood, Oxford Gargoyles and Grotesques
795-811 Oxford Union Murals: PRB Does Arthurian England
812-815 Beerbohm’s Parody of the Incident
816-818 The Pre-Raphaelites
821-822 “Some Characteristics of Pre-Raphaelite Painting and Poetry”
823-824 Pre-Raphaelite Art at the HRC
825-826 Dante Rossetti, introduction
827-828 Dante Rossetti’s St. George and the Dragon stained glass designs.
829-830 Dante Rossetti, La Pia + “Lady Lilith”
830 Dante Rossetti, “Mary Magdalene”
831-832 Dante Rossetti, three sonnets from The House of Life
833 Introduction to William Morris
834-838 William Morris at the HRC
839-840 Morris, the Kelmscott Chaucer
887 Victor Hugo, Introduction
888-895 Notre Dame de Paris, a.k.a. The Hunchback of Notre Dame
888-890 “This Will Kill That” Literature vs. Architecture
891-895 the human grotesque
896-942 Margaret Berry, Brick by Golden Brick, selections
899-902 Old Main; 903 Battle Hall; 904 Sutton; 920-921 Littlefield Home; 922- 927 Main bldg.
943-951 Story of All Saints Chapel
952- 972 All Saints Windows, a selection
973-976 The Iconography of University Christian Church
977 campus map
978-979 Henry Adams, Introduction
980-997 Adams, Mont-Saint-Michel and Chartres
998 Cathedrale Notre-Dame de Chartres
1000-1003 Pater, La Gioconda , a.k.a. the Mona Lisa
1004A Thomas Hardy, Introduction
1004B-1008 Thomas Hardy, Jude the Obscure
