Ruskin's main idea when describing the love of change in Gothic architecture was the
desire of difference. He wanted variety and asymmetry among the features of the period:
"that restlessness of the dreaming mind, that wanders hither and thither
among the niches, flickers feverishly around the pinnacles and frets and fades in labyrinthine
knots and shadows along the wall and roof, and yet is not satisfied, nor shall be satisfied"
(Ruskin 705).
The two pictures posted exemplify the variety in the shapes and structures of Gothic
architecture. Rounded window frames placed in accordance with squared windows equate the
asymmetry. High columns, peaking tourrets, rounded arches, and steep roof lines all contribute
to the chaos of the architecture. This non-conformity typifies the Gothic period in
Ruskin's mind.
The culture that Ruskin idealizes is one where constant improvement of humanity is
sought after. The love of change embodies Ruskin's desire to see a society which is continually
improving itself. This is why he glorifies the unending variety of features and combinations
which are demonstrated in Gothic architecture.
