Just Dancing the Surface

                        When I was young, the annual bazaar at our church was one of the most memorable events that I was always enthused to attend. My favorite part of the weekend was the festive dance held on Saturday night after the grand auction and barbeque dinner. I would watch in eager anticipation as the band would set up their equipment on stage and tune their instruments. The vivacious melody would trickle and fill every crevice of the hall, and the walls would vibrate to the beat. Soon the bare floor would become crowded with dancing feet. My first dance partner was my dad; he would inexhaustibly circulate around the dance floor with me song after song. For fun I would stand on the toes of his shiny, black cowboy boots as he shuffled across the bare floor. However, even though I was exposed to dancing at an early age, it was not until much later that it became one of my passions. In fact, I did not reconnect to my passion until I was a sophomore in college when I enrolled in a beginner ballroom dance class at the University of Texas. I had so much fun taking the class that I returned the following semester as a teaching assistant. My passion for dancing helped me discover the desire I had for teaching. Instructing others has become an extremely rewarding experience that I relish. Furthermore, it has helped me develop better leadership skills.

            At the beginning of my college career, I was unsure of not only my passions, but I also doubted myself. Thomas Caryle reminded me that “the fear of unbelief is unbelief in yourself.”[1] My first step was to believe in myself and my capabilities as not only a student but as a person too. Mastering the basic techniques of different dances in my UT ballroom class gave me confidence that I could succeed at whatever I focused on. Being able to teach others helped me connect to something greater than myself. I was able to unify my thoughts and aspirations by connecting my passion of dancing and teaching. Before, I felt completely isolated from the rest of the world and at odds with myself; I had no awareness of my spiritual being. The hopelessness I experienced is best expressed by the quote: “Despair meant the refusal to realize the true self by devotion to the Eternal.”[2] My conversion eliminated the desperation I had felt; I was able to unify my thoughts and connect with others. I became aware of my “Centre of Indifference” which “represented the soul’s ability to cast aside an enervating egotism in order to attain a broader perspective by which man’s obsessing sorrows would seem of little cosmic import.”[3] I no longer felt alone and lost after I shared my enthusiasm for dancing by teaching others.

              When I dance, I forget all my worries and stresses in life and purely concentrate on moving to the beat of the music. It allows me to release my inhibitions, anxieties, worries, and thoughts in order to clear my mind and connect to the place I occupy. I focus on the moment, and I can convey my emotions through physical expression. “For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moment’s sake.”[4] Dancing connects the art of music with the mind and body so that they become integrated. There is something very natural and methodic about moving to a rhythm. Throughout the world, every culture has created a unique style of music and dancing. It connects and bonds individuals. My partner and I explore and occupy the entire room as our feet glide across the floor. We travel together and become part of the space we inhabit; we connect to the “genus loci” of the place. Norman Crowe expresses the necessity for connecting to a place: “A sense of place concerns that need to find a familiar landscape as refuge from the unknown, perhaps from the terrifying prospect of being set adrift in what would otherwise be a dimensionless, timeless, and chaotic world.”[5] My partner and I are able to connect our feelings to each other and the space we occupy; only then we are able to release and express these emotions through our physical movements. A short video clip of my partner John and me two-stepping shows how important it is to keep a connection not only with each other but also with the floor. Two step demo

My commitment to dancing has fueled my desire to teach others. For instance, I volunteered to be a teaching assistant in the summer of 2005 once I completed the beginner UT ballroom class. I became the instructor of the Beginner Country Western class for Dance International in the summer of 2006, and I began teaching private lessons to individuals as well. I have become extremely involved and committed to working at Dance International. Currently, I am studying International Dance techniques in order to take my Associate exam in April to become a certified dance instructor. Once I am a certified teacher, my goal is to work part time at the studio teaching others in order to pay for graduate school. I have discovered that teaching allows me to personally connect with others, and it forces me to efficiently communicate with them. Instructing others also encourages me to think outside my frame of mind in order to relate to them. Furthermore, it is a true reward to witness the success of others and know that I was able to reach out and help them. The connection formed between a teacher and student is a unique and an unforgettable bonding experience. “Not the fruit of experience, but experience itself, is the end.”[6] Every interaction between individuals varies and can be a learning experience for both of them. Teachers can convey powerful messages and guide others. “There needs but one wise man in a company and all are wise, so rapid is the contagion. Great men are thus a collyrium to clear our eyes from egotism and enable us to see other people and their works.”[7] Inspiring teachers can open the eyes of their students and help them find a greater meaning in life. “This is the key to the power of the greatest men, -their spirit diffuses itself.”[8] Individuals seek in others what they can not find in themselves. For instance, a student seeking passion in their life might find a sense of direction by encountering a motivated person. Teachers are a source of motivation. “For a time our teachers serve us personally, as metres or milestones of progress. Once they were angels of knowledge and their figures touched the sky. Then we drew near, saw their means, culture and limits; and they yielded their place to other geniuses.”[9]

As I become a better dancer, I am more knowledgeable and can teach more advanced techniques to others. For me, dancing and teaching have become intertwined. I help others discover the emotional release they can have by dancing. My goal is to help them link the beat of the music with the rhythmic movement of their body. It is essential to make this connection because, “without recognizing our own emotions, we will be poor at managing them, and less able to understand them in others.”[10] For instance, one of the greatest challenges my students have to overcome initially is the ability to accept failure. Everyone makes mistakes and learning mistakes are no different. Often, students become frustrated when they can not demonstrate a new figure on their first attempt. However, I remind them it just takes repetition through practice and that no one is perfect. An individual should feel humbled but not idiotic when confronting a new task. It is essential for them to stay calm so they can manage their emotions and maintain a clear train of thought. If individuals allow themselves to become frustrated, they lose the ability to control their feelings and concentration. Through dancing I have learned that it is much easier to understand a new concept by breaking it down or relating it to a different subject with which the student is familiar. I apply these same principles when I instruct beginners. “Leaders execute a vision by motivating, guiding, inspiring, listening, persuading,-and, most crucially, through creating resonance.”[11] In my teaching, I strive to encourage others by positively reinforcing their actions.

For example, I have been teaching private lessons to a forty-seven-year-old distinguished surgeon who desired to learn the two-step. I was amazed to find out how often he doubted himself and expressed his initial failure to pick up the basic step immediately. I was surprised because he was a well-accomplished man in his field of expertise and I highly doubted he expressed these same feelings of insecurity when he conducted open-heart surgery. Contrastingly, I believe it is essential to connect and incorporate our characteristics that we often express in our jobs to all realms of our life, therefore unifying and connecting ourselves.

Self awareness of my passions has allowed me to focus on my future goals. “In short, self awareness facilitates both empathy and self management, and these two, in combination, allow effective relationship management. EI leadership, then, builds up from a foundation of self-awareness.”[12] I have been able to improve my leadership skills by teaching others to dance. I want to share the enthusiasm I have for dancing with others. In addition, I will continue teaching others by following my interests in Vertebrate physiology. I want to become a teaching assistant in Biology as my next leadership role. My goal is to attend graduate school at the University of Texas in the fall of 2007 and obtain my doctoral degree in Biology. After I receive my doctoral degree, I will begin researching and teaching undergraduates. Reaching out and motivating my students to become passionate about whatever they focus on will be my ultimate goal. When I have doubts about the future, I find the motivation within myself when I recite the quote, “Lead, kindly Light, amid the encircling gloom,/Lead Thou me on!”[13]

 

Words: 1,422

With quotes: 1,708

Number of words revised: 680

Before cutting words: 1,284

Before cutting words with quotes: 1,570

 

 

 



[1] Thomas Caryle, ‘Sartor Resartus” in Victorian Literature ed. Jerome Bump, 367.

[2] “The Pattern of Conversion” in Victorian Literature ed. Jerome Bump, 352.

[3] “The Pattern of Conversion” in Victorian Literature ed. Jerome Bump, 353.

[4] “The Pattern of Conversion” in Victorian Literature ed. Jerome Bump, 347.

[5] Norman Crowe, “Nature and the Idea of Mankind” in Victorian Literature ed. Jerome Bump, 260.

[6] Walter Pater, “The Renaissance” in Victorian Literature ed. Jerome Bump, 346.

[7] Ralph W. Emerson, “Representative Men” in Victorian Literature ed. Jerome Bump, 371.

[8] Ralph W. Emerson, “Representative Men” in Victorian Literature ed. Jerome Bump, 372.

[9] Ralph W. Emerson, “Representative Men” in Victorian Literature ed. Jerome Bump, 372

[10] “The Power of Emotional Intelligence” in Victorian Literature ed. Jerome Bump, 39.

[11] “The Power of Emotional Intelligence” in Victorian Literature ed. Jerome Bump, 37.

[12]  “The Power of Emotional Intelligence” in Victorian Literature ed. Jerome Bump, 37.

[13] John Henry Newman,Letter to Archbishop Vincent Nichols Newman belongs to every time and people”  http://www.newmanreader.org/canonization/popes/or22jan01.html