E379S Senior Seminar 31070
Responses to Nature: Literature, Art, Music, Architecture
Jerome Bump, SWC, Computer Assisted
MWF 1-2 PAR 104
http://www.cwrl.utexas.edu/~bump/E379S1/
bump@mail.utexas.edu;
Office phone: 471-8747, home: 267-7884
"I think Frank Dobie was one of the greatest teachers
the University of Texas ever had, but like very great teacher he could never
have been typed. For example, he wasn't and he didn't claim to be technically a
folklorist. What he certainly was, and never claimed to be, was one of the
truly great natural historians in the tradition of the Greeks, the
medievalists, Renaissance men, the eighteenth-century English naturalist
Gilbert White, and W. H. Hudson. And this insight into nature, I think, needs
to be continued as a Dobie tradition here if the University is really going to
realize its own promise."
Harry
Ransom, Chancellor, University of Texas
Some
class meetings will be outside, devoted to observing and writing
about nature at Waller
Creek, the Biology Ponds, the courtyard of the Humanities Research Center, the
lawn of the Littlefield house, Frank Dobie’s house and related statues of
horses and cattle along San Jacinto, the Japanese garden at Zilker Park,
etc.; some to discussing famous
artistic responses to nature and
what we can learn from them; some
to reading each other’s
writing. The basic premise of the course is discovery learning, especially by comparing our point of view with
those of other people and other creatures.
Grades. 30% of the final grade will be determined by the portfolio; 50% by the projects (15% for each first
draft, 10% for each revision), and
20% by class participation, which
is required, especially on
computer days because other people in your group will be depending on you. Portfolio.
A paper version of the portfolio consists of the journal, clean copies of your
essays, and printouts of all your contributions to the sycamore and pine web
pages, to the Dobie web page, both Waller Creek web pages, to both Biology
Ponds web pages, your comments on projects 1 and 2 of other students, your OLR
contributions, and the road map of your journey. The journal must include a
detailed account of your own personal response to the Oriental Garden. If I
were to grade on quantity alone, and one page = about 250 words, an A would
usually be awarded for 2 X 32 reading assignments = 64 pages, a B for 1.5 X 32
= 48 pages, a C 1 X 32 pages = 32
pages. When grading on quality, special attention will be paid to the end of
the journal, where you add pages about your response to nature or to nature
writing or nature web sites directly, without having to respond to assigned
readings (though credit will be given for working in quotes to show
assimilation of the assigned reading). If you want your journal to be graded on
quality alone, turn it early and often to get feedback. A multimedia version of
the portfolio will be graded on the basis of the effort put into learning HTML
as well as the result. Projects.
We will create multimedia
projects on paper or on the web about our responses to nature and those
in world literature, visual art, digital art, music, and architecture. Students
will keep portfolios of their emotional and intellectual responses to nature to
compare their responses to those of the artists we will encounter. Students
will bring a journal page or two to class the day we discuss a particular work
to help initiate discussion. Students
should be prepared to think for themselves. There will be fewer instructions
for subjects of projects than what
students may be used to from other courses. Our goal is discovery learning
(http://www.cwrl.utexas.edu/~bump/discovery.html). This can be frustrating for
some, especially those who want a detailed formula which will guarantee them a
good grade. Instead I try to give students maximum freedom to be creative, to
be individual, and to write about what is important to them. Projects can be
written for different audiences and from different points of view, from
autobiography to scientific observation. At
times we will use networked computers to achieve more collaborative class
discussion and provide more feedback about projects. Students will produce two
polished projects communicating their
response to nature in at least two media: traditional essays with
“illustrations,” or HTML multimedia sites on the web. If a
traditional essay format is chosen pictures must be scanned into the text and
text wrapped around them. Students are encouraged to use multimedia to fulfill
all the writing requirements and ultimately hand in everything on one CD which
they will retain at the end of the course. As much as possible of the
multimedia on that CD, of course, can and should be put on a web site as well.
Students will read the first draft of each other's projects and revisions of
the projects will be due a few
weeks later. Class participation consists of
showing up in class on time, having read the material assigned for that day,
being prepared to talk about it, and handing in your journal pages about the
readings assigned in the syllabus
for that day before class starts. A "U" for unprepared will be
assigned if a journal is not turned in at beginning of class; an "A"
will be recorded if one is absent, or very late to class; 2 "U"s = 1
"A." Final grading will be as follows: 2 A's = A; 3 = A-; 4 = B+; 5 =
B; 6 = B-; 7 = C+; 8 = C; 9 = C-; 10 = D+; 11 = D; 12 = D-; 13 or more = F.
Those who miss the first 2 class meetings are dropped from the course. Class participation includes
sharing in class from what you have written about that day's assignment in your
journal: one of the goals of the course is better spoken as well as written
communication. Our primary concern is not organized discussion of a topic, as
in a speech contest, but rather each individual learning to speak about
feelings as well as our thoughts, to listen, and to concentrate when others are
speaking.
OLR. Part of the
grades for class participation and the portfolio will be based on the Online
Learning Record (OLR), a portfolio-based assessment tool that allows students
to document their learning across five interdependent dimensions (confidence
and independence, skills and strategies, knowledge and understanding, use of
prior and emerging experience, and reflectiveness). Besides samples of work carefully
selected to document learning, the OLR will include personal narrative, an
interview with someone familiar with your intellectual development, a series of
self-observations, and interpretive essays written at midterm and semester's
end. If you're not familiar with the OLR or you'd like to refresh your memory,
please consult the pages in our packet or Professor M.A. Syverson's excellent
site, Beyond Portfolios: http://www.cwrl.utexas.edu/~syverson/olr/ You'll also find a
printable/downloadable copy of the form you'll use for your Learning Record at
the Beyond Portfolios site. Grading principles. Though the
administration penalizes instructors for “grade inflation,” I do
not grade on a curve. I am convinced that far more learning occurs when each
student has the potential to get an A in the course. However, in order to
prevent grade inflation to some extent, I insist that to get an A in the course
a student must get an A in almost every category. Consider the following
example from the previous semester: student X received the following grades: A
Class Participation (20%); A- Portfolio (30%); B+ Project 1A (15%); A- Project
1B (10%); B+ Project 2A (15%); A- Project 2B (10%). Score 10 for an A, 9 for an
A-, 8 for a B+, etc. Multiply each grade times the percentage, as in 20 X 10 =
200. Add up the total. In this case the total is 890. That would be a B+ for a
final grade, because it takes 900 to get an A-. So do not be surprised if your
final grade is a B even though most of your grades in the course were A’s. Texts: a collection
of xeroxed materials to be purchased from Jenn's, 2000 Guadelupe (basement of the church
of building scientology at 22nd), 473-8669. Requirements. Students should be familiar with keyboarding,
operating systems, word processing, electronic mail, and web-browsing. Students
will also need an IF computer account and provide their own storage diskette or, if they are going to do a
web project, a UNIX account or a ZIP or JAZ cartridge, and/or some blank Cds if
they are going to store their site on a CD. New users may claim an IF account
at the Student Microcomputer Facility in the Flawn UGL by completing an IF
account request form and presenting it and a government-issued photo ID at the
front desk. HTML.
Two classes will be devoted to how to copy and
modify HTML templates; afterwards, if students are going to do web projects,
they must have or acquire basic HTML skills on their own in the first month.
Multimedia project students should expect to spend a considerable amount of time
outside of class, sitting in front of a computer, and may also find it useful
to attend some of the free classes and workshops on various technical topics
offered by ACITS, TeamWeb, or the General Libraries. See class schedules:
http://www.utexas.edu/computer/classes/ For
self paced tutorials see http://www.utexas.edu/cc/training/handouts/tutorials.html#internet
Releases.
By supplying their email address in Class
Contacts students agree that it may be available to web surfers. Students will
also have to sign a general release on the 12th class day because The Computer
Writing and Research Lab (CWRL) is
both a teaching and a research lab. Students in CWRL classes and CWRL
instructors have made valuable contributions to research in teaching writing.
Some of this work has found its way into research journals and books intended
to help improve writing instruction. To continue this research, the CWRL is
required to get student signatures on a release form. On the 12th class day,
all students taking classes in the CWRL are required to sign a release that
states: "All work that you produce for this class and in online class
discussions is public and is archived for future research. Faculty and graduate
students who teach in computer classrooms are conducting on-going research to
make writing instruction more effective. These and other researchers may read
and quote from these archives. If you wish to take a course in the CWRL, you
must sign an agreement that your work for the course, including Internet
postings, is in the public domain and may be read and reproduced (edited as
appropriate) in future publications by researchers. The CWRL will not assume
responsibility for personal views or any offensive material that you may post
to a public forum as a result of your work in this class. Neither will the CWRL
assume responsibility for further distribution of any work that is posted to a
public forum."
Return to Course Page