
‘One
day when I was twenty-three or twenty-four this sentence seemed to form
in my head, without my willing it, much as sentences form when we are
half-asleep, ‘Hammer your thoughts into unity’.
For days I could think of nothing else and for years I tested all I did
by that sentence [...]” William Butler Yeats (cited in Frank Tuohy, Yeats,
1976, p.51 )
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E379S ASSIGNMENT
all page nos. refer to the course anthology
J= Journal Due; LR=Learning Record Due; C = Class Presentation Due; Project Due; R= Responses to Projects Due; I=In-class writing project; G = Graded Discussion
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ANTIMODERNISM IN LITERATURE, ARCHITECTURE, AND THE VISUAL ARTS
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ANTIMODERNISM IN COLLEGE: TEXAS
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Nov 2 J Tracing the Madonna and the Griffin: Austin to France, the Origin of Gothic Architecture
Discovery Learning goal : To trace the Gothic features in the Littlefield house and in the Spanish Plateresque architecture tradition evident on Sutton (including the Madonna figures), Garrison, and the screen inside the Battle Hall library.
Read
551-552 Henry Adams
553-566 Adams, Mont-Saint-Michel and Chartres;
567 Pater “La Gioconda”
568-569 Pugin, introduction
570-5 Pugin, Contrasts
575 Hugo, introduction
576-582 Hugo, from Notre Dame De Paris,
583-594 Gargoyles
599-619 Mary and St. Michael in windows of All Saints Chapel
622 Old Main, University of Texas
623-624 Booton, “Spanish Plateresque Architecture”
641-648 U. T. Galveston in “Nicholas Clayton”
654-670 Blackwood, Oxford Gargoyles and Grotesques
review:
514 Definitions of antimodernism
515 Definition of medievalism;
516-521 Moreland, Medievalist Impulse
522 Definitions of Gothic
523-550 Ruskin, “The Nature of Gothic”
135-145A Semiotics, from The World is a Text: Semiotics of The Mona Lisa
Internet:
http://www.cwrl.utexas.edu/~bump/E320M/Marianism.html
http://www.cwrl.utexas.edu/~bump/E320M/Adams.html
http://www.learn.columbia.edu/Mcahweb/index-frame.html
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Paris Review: How much rewriting do you do?
Hemingway: It depends. I rewrote the ending to A Farewell To Arms, the last page of it, thirty-nine times before I was satisfied.
Paris Review: Was there some technical problem there? What was it that stumped you?
Hemingway: Getting the words right
