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Her breath the fragrant orange bloom,
Her eye the tropic beam:
Soft was her lip as silken down,
And mild her look as ev'ning sun
That gilds the Cobre stream
("The Sable Venus" by Bryan Edwards' deceased friend, 1794)
Image credit to Norton Critical Editions
The representations of the African culture found during the eighteenth century in John Ogilby's presumably accurate description of Africa, found on the maps of Africa created and produced by British cartographers, and found in John Stedman's narrative would ultimately prove to construct images of Africans and blackness that upheld the conception of British imperialists' superiority during a time of economic anxiety on the colonial plantations. By studying the representations of African women and an African culture in an emergent ideology, which would attempt to emancipate and abolish the domination over Africans but ultimately take different colonizing forms, this project has attempted to lay bare how the "regimes" of a British imperialist power could construct, maintain and disseminate images of African people that would tacitly prove that Africans were naturally inferior and in need of civilizing. Addressing the power of dominant representations to form a culture's identity, Hall claims that....
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The Aphra Behn Society
"UNDER CONSTRUCTION"