Table of Contents

 

1-2                            List of Contents

3                                 Course Description

4-10                         Schedule

11-13                      Group Participation Guidelines

14-15                      Guidelines for Listening

16                              Racial Harrassment Policy

17-18                      Sexual Harrassment Policy

19                              PC vs Mac

20                              Changing your email address for Blackboard

21-27                      McKerrow, ’ÄúForm and Matter in the Publication of Research’Äù

28-29                      Putting Pages on the Web  Using Webspace

30-34                      Old Print Bibliography

35                              ’ÄúRomanticism’Äù

36                              ’ÄúHellenism’Äù; ’ÄúHebraism’Äù

37-43                      ’ÄúVictorianism’Äù

44                              Kipling, ’ÄúTwo-Sided Man’Äù

45                      ’ÄúThe Divided Self’Äù

46-52                      ’ÄúVictorian Poetry and Poetics’Äù

53-65                      ’Äúthe Pattern of Conversion’Äù   

66-72                      Mill, Autobiography, ch. 5,

73-85              Bump, ’ÄúReader-centered Criticism and Bibliotherapy: Hopkins and                                                                                                          Selving’Äù

86                              Arnold, Lines Written in Kensington Gardens

87-100                   Bump, ’ÄúScience, Religion, and Personification in Poetry’Äù and                                               excerpt from’ÄúStevens and Lawrence: The Poetry of Nature and the                                     Spirit of the Age’Äù

101                           Hopkins's ’ÄúHalfway House’Äù

102-3                      ’ÄúNondum’Äù

104-5                      ’ÄúAd Mariam’Äù

106-7                      ’ÄúRosa Mystica’Äù

107                           "The Starlight Night"

107-8                      "Spring"

108                           ’ÄúIn the Valley of the Elwy’Äù

108-109                ’ÄúBinsey Poplars’Äù

109                           ’ÄúRibblesdale’Äù

109-110                ’ÄúAndromeda’Äù

110                           ’ÄúSpring and Fall’Äù

110-111                ’ÄúThou art indeed just’Äù;

111                           ’ÄúThat Nature is a Heraclitean Fire’Äù

112                    Criteria of Dramatic Monologues

113-14                   The Sympathetic Imagination

115-16                   My Last Professor

117-129                "Victorian Religious Discourse "

130-133                HRC: Guide to southeast corner window

134-143                ’ÄúCatalogue of the Hopkins Collection’Äù

144-152                Miller, ’ÄúDisappearance of God’Äù

153-4                      Lang, "Characteristics of Pre-Raphaelite Painting and Poetry"

155                           Bump, ’ÄúDualism’Äù

156                           D. Rossetti, ’ÄúThe Lover’Äôs Walk’Äù

156-7                      D. Rossetti, ’ÄúSevered Selves’Äù

158-164                Pre-Raphaelite Art at the HRC

165-179                Pre-Raphaelite Art

[180-182              numbers not used]

183                   Definitions of Gothic

184-211         Ruskin, The Nature of Gothic

212-224                Bump, ’ÄúChristina Rossetti and the Pre-Raphaelite     Brotherhood’Äù

225                           Yeats, ’ÄúThe Stolen Child’Äù

225-6                      Yeats, ’ÄúThe Lake Isle of Innisfree’Äù

227                           D. Rossetti, ’ÄúLost Days’Äù and ’ÄúHeart of the Night’Äù

228-240                "Influence and Intertextuality: Hopkins and the  School of Dante’Äù

241-244                Stange, ’ÄúThe Aesthetic Movement’Äù

244-250                Yeats, Autobiography


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