September 26, 2006

Gaudi

 

While reading about Antonio Gaudi¿s architecture, ¿a wonder that shimmer and undulates in an almost hallucinogenic riot of colors and forms,¿ which ¿conveys a constant sense of motion,¿ and ¿an eclectic assortment of different shaped windows,¿ I felt like I was on a Disneyworld rollercoaster of color and motion (van Ryzin, 580). Better yet, I kept thinking about how much his work reminded me of children¿s books by Dr. Seuss. In his artwork, Dr. Seuss carefully avoided straight lines, filled his pages with a constant sense of movement, and filled every line with color¿all aspects of Gaudi¿s work.
    
An innovator with an imagination, Antonio Gaudi¿s architectural style lacks any sort of rigidity or conventionality, full of excitement, entertainment, and color. His style exemplifies Barcelona¿s own characteristic frivolity and love of life, while also epitomizing the fresh emancipation, which the city hoped to celebrate with a desire to rebuild a new Catalunya ¿that would be open to the world while still remaining true to itself¿ (van Ryzin, 580). Much like Frank Lloyd Wright (whose work I mentioned in my last post), Gaudi¿s use of creativity-often associated with the right side of the brain-was physically appealing to me. Because we¿ve been comparing architecture to nature lately, I especially liked how much his work reminded me of nature, without having to force a connection. Like Prianka and Megan noted, Gaudi¿s lyric style, which connects every formation to the next and lacks any sort of rigidity, reminded me of the undulating ocean, with no beginning and no end, connecting earth to sky. Further, his use of ¿glittering colors¿ is akin to the changing colors in nature, from dawn to dusk, spring through winter, and all of the different types and colors of flowers.

Although his work is a pleasant diversion from the structure that we are used to, much like Dr. Seuss¿s books are a great break for children and adults alike or Disneyworld rollercoasters take us to a different world, I feel that in America, Gaudi¿s work would not flourish as it did in Spain, as Gaudi¿s work connotes exuberance, unconventionality, and liberalness, unlike the US, where conservativeness and structure tends to dominate.
As for why griffins look down upon the president of UT, my initial instinct-like Prianka-was that they are to assert the president¿s absolute power, solidify his position. Griffins bodies are from lions and their heads and wings from eagles. Perhaps, the lion¿s body is to give the president the inner strength to combat every hurdle of successfully running the university, while the wings are his reminder to ¿soar¿ across the spectrum, considering many different perspectives in every decision, so as to appeal to the greatest number of opinions. Either way, the griffins wield a great deal of iconic symbolism however they are interpreted.