Cheryl Joseph

E603B

March 7, 2006

 

Main Building Proposal by Frederik Ernst Ruffini and The History of Old Main

 

 

           

Texas School of the Deaf

http://www.utexas.edu/tours/mainbuilding/people/schooldeaf.html

Good morning, Board of Regents.  Thank you for this opportunity to discuss my architectural vision for the University of Texas.  I propose Gothic architecture for the main building on a college campus.    

Before I discuss the benefits of Gothic architecture, I will attempt to define the style.  According to Ruskin, Gothic architecture “is made up of many mingled ideas, and can consist only in their union.”[1]  There is no single characteristic signifying an onlooker that a building is Gothic.  Instead, a combination of forms and elements make up the Gothic style and provide a means of evaluating the strength of the Gothic influence on the building.  The elements of Gothic include savageness, changefulness, naturalism, grotesqueness, rigidity, and redundance.[2]  The outward form typically consists of a steep roof rising into a gable, pointed arches and gables adorning windows and doors, cusped or foliated arches, and shafts with bases and capitals.[3] 

There are several benefits to Gothic architecture, including a historical atmosphere and increased inspiration, imagination, creativity, and freedom. 

Primarily, Gothic architecture reminds students of the tradition of their college and the history of the world.  The Gothic architecture employed by Yale, Oxford, and other colleges has produced a campus where “historical atmosphere became

This is an example of Gothic architecture at Wellesley College.

http://www.greatbuildings.com/buildings/Student_Center-Wellesley.html

inextricably associated with education.”[4]  Structurally, the architects and constructors of Gothic buildings aspire to “impose ritual in the presence of a great company.”[5]  Historical reflection is important both inside and outside of the classroom.  In the classroom, the architecture serves as a concrete reminder to students of knowledge they are learning in class.  By experiencing the architecture, the students gain a different understanding of their education and are more likely to remember what they learn.  Outside of the classroom, the Gothic architecture instills a sense of ritual and tradition in the students that may make them more tied to the University.

            Furthermore, Gothic architecture inspires those who occupy the buildings.  The Gothic structure conveys a “world of unabashed opulence and splendour, of rich color, of visible, unashamed evidence of material success and its concomitant belief in the increasing prosperity and irreversible progress of the civilized world.”[6]  Upon arriving at the campus, students are called to remember the past triumphs that have led to the prosperity of the present.  In doing so, they also acknowledge society’s remaining potential and are motivated to learn.  Additionally, the “space, light, structure, and the plastic effects of the masonry...organized to produce a visionary scale” make the Gothic structure’s size seem larger and grander than it may actually be.[7]  This enormous size can be humiliating to a new student.  As a student at Yale University noted, the size and

Yale University

www.yale.edu/onlinetour

details of Gothic architecture carry an air of importance that makes students actually desire to study in pursuit of goals.[8]  On the left, I have brought a photograph of Yale University, the campus that provoked this comment. 

Literature also supports the power of Gothic architecture.  In Tom Wolfe’s I Am Charlotte Simmons, Charlotte remarks at “the walls of the Gothic buildings across the way…built to withstand any threat…Oh ye fortress of language…ye key to the ideas that move a people, a society, and thereby history itself.”[9]  Charlotte recognizes the towering size of a Gothic building radiates a sense of security and everlasting knowledge.   

Gothic architecture also encourages students and professors to realistically display imaginative or controversial ideas.  While the Romans symbolically represented ideas, the Goths left no need for interpretation.[10]  For example, the mosaic of Torcello represents the purgatorial fire as “a red stream, longitudinally striped like a riband, descending out of the throne of Christ, and gradually extending itself to envelop the wicked.”[11]  On the other hand, a Goth realistically depicted the fire with bursting flames pouring from Hades’ gate.[12]  With similar examples of directness surrounding students and professors, they will be less likely to downplay controversial ideas with metaphors or hypothetical scenarios.  Instead, they will be reminded to bring these symbols to the forefront and engage in heated debates that will test and strengthen their knowledge and convictions, producing graduates able to strongly defend their opinions.

Additionally, Gothic architecture provokes creativity in two ways.

            First, Gothic architecture places an emphasis on creativity through God.  Gothic architecture evolved from Romanesque church architecture.[13]  Initially, the chief patron of Gothic architecture was the Roman Catholic Church.[14]  For instance, Notre Dame Cathedral, picture on the left, is an early example of Gothic architecture.  Additionally, Gothic elements have a religious connotation.  For example, the arch has acquired an association with religious uplift.[15]  This idea is seen at Yale University, where the

Yale University’s Sterling Library

www.yale.edu/onlinetour

 

This is Notre Dame Cathedral, one of the most famous Gothic structures in the world.

http://www.greatbuildings.com/buildings/Notre_Dame_Cathedral.html

library, pictured on the right, so closely resembled a church that the school is rumored to have fooled donors into believing they had built a church with donations.  Similarly, in I Am Charlotte Simmons, Charlotte recognizes the school library as “a structure as grand as a cathedral, with a soaring tower and a three-story-high compound arch over its main entrance.”[16]  Both of these examples reveal the close connection between Gothic architecture and God.  Furthermore, God is tied to creativity.  In Psalm 27, referenced in the Oxford motto “The Lord is my light and my salvation,” the idea that God is able to inspire creativity is set forth.[17]  For many, God is seen as a stable and all-knowing figure whose presence instills confidence that sparks creative thought.  The presence of structures that convey a sense of God’s presence would thus be beneficial to believers in creative endeavors.  While some may object to mixing religion and a state-funded school, it’s important to acknowledge that previous points have proven the intellectual benefits of Gothic architecture that are independent from religious arguments for the style.

            Second, Gothic architecture reflects freedom that produces unique and creative thought.  According to Ruskin, “wherever the workman is utterly enslaved, the parts of the building must of course be absolutely like each other.”[18]  Gothic architecture, however, is characterized by variation.[19]  For example, the pointed arch’s proportions can be changed in numerous ways, the grouped shaft may be varied in its groupings and in the resulting proportions, and the tracery allows for endless changes in the sizes of the bars.[20]  Gothic architects clearly are not enslaved by a particular model.  This freedom encourages students to undertake unique endeavors.  By employing different architects to design different buildings, each building will differ in its features.  All of the buildings, however, will be united under one architectural style.  This will show students that many products can come from the same principle, encouraging different applications of the knowledge they are learning. 

This flexibility also allows the Gothic architect to design a building for its specific purpose, making the building itself contribute to the students’ education.  Gothic architecture allows the rooms, windows, common spaces, and height of the building to be unique for the needs of each construction’s purpose.

            Next, I will discuss the natural aspects of my design.

            First, Gothic architecture incorporates nature.  Whereas the Greeks and the Romans depicted foliage as unnatural and lifeless clusters, the Gothic architect and sculpture noticed the lack of knowledge and life in the forms.[21]  The Goths turned to true leaves and began incorporating more nature into their works.[22]  Eventually, this became a common characteristic of the style.[23] 

Old Main Building

http://www.utexas.edu/tours/mainbuilding/oldmain/

 

            In addition to the style of the building, I propose a large garden behind the structure.  This garden would provide a place for students to relax between classes, as well as a natural environment for students to complete their studies.  The garden would be orchestrated around the existing trees to combine beauty and color with the natural landscape. 

            Incorporating nature into the campus is beneficial for several reasons.  According to John Newman, destroying nature in construction of the building will leave students with nowhere to relax and recuperate after hours of serious studying.[24]  In a bustling world of noise and distractions, students must have a retreat from the stress of daily life.  In the garden, students will also be able to act on their childhood tendency of nature-based discovery.  I can recall many times that I have strolled past local parks and seen children digging in the dirt and watching the birds.  They are able to connect all aspects of nature to form a whole conception.  At the University, students will discover a wide variety of knowledge, making connecting this knowledge an important task.  When they are able to return to their childhood ability to interact with the entirety of knowledge through nature, they will hopefully rediscover their ability to form strong connections between material and experience.  With everything connected, they will remember more, enhancing their education. 

Furthermore, the University of Texas should create a model of good environmental practice to promote the health of society.  The stress-relieving ability of relaxation in nature applies to society as a whole.  The growth of the University of Texas will likely spur the growth of Austin.  By incorporation nature, the University of Texas will hopefully create a trend the whole city can follow. 

The garden will also contain sculptures as a symbol of humility.  In comparison to the Greek sculptor who couldn’t confess his own errors or shortcomings, the Gothic sculptor “believing that all is finally to work together for good…neither seeks to disguise his own roughness of work, nor his subject’s roughness of make.”[25]  Thus, Gothic sculptors portray both the virtues and errors of the sculptor and of the subject, leaving the viewer to form a unique judgment of the sculpture’s situation.  In this sense, the Gothic sculptures that will adorn the gardens surrounding the building will introduce incidents of daily life and provoke arguments from the students.  Being in a place that encourages this type of thinking will constantly remind students to make objective decisions based on a situation.  By understanding if one part of the sculpture is left out, the judgment would be different, students will hopefully begin to see the importance of giving all information when asking people to make a decision. 

Although modern architecture is often praised for looking into the future, Gothic architecture gives students a glimpse at the past, humbling them with its size and representation of human progress.  The inspiring and argumentative characteristics of Gothic architecture give way to the future, ensuring the University graduates students who have encountered an array of knowledge and learned to form and defend their own arguments.  The nature I have included in my design promotes necessary relaxation in the face of this great intellectual stress.

Now that I have discussed the architectural style and gardens I will be following, I will briefly describe the specifics of the building.  If you choose to support my architectural style, I will further explain the building.  I recommend a Gothic building with wide corridors, grand rotundas, a two thousand seat auditorium, nine lecture halls, and thirty classrooms build in three stages, the west, central, and east wings.[26] 

            I hope you, the Board of Regents, will find this plan a workable proposal for the architecture of the future campus of The University of Texas.

 

Ruskin’s Impact at the University of Texas

 

            The initial forty-acre site of the University of Texas was chosen in 1839.  Construction on the Main Building began in 1880.[27]  The west wing was completed in 1883, occupied by 221 students.[28]  The central section was completed in 1891.[29]  The east wing was finally completed in 1899.[30]  In 1830, Dr. William James Battle, an opponent of Gothic architecture, nominated Paul Philippe Cret to be the architect for the construction of a new building.[31]  In 1932, Cret unveiled a plan to destroy the old building and construct a new building.[32]  By 1934, Old Main was destroyed, and construction began on the new building, but Old Main’s legacy still lives on within many.[33] 

 

P1A Word Count: 1,417

Quotes: 200

Words Deleted: 804

Words Added: 1,155

P1B Word Count Without Quotes: 2,044

 

 



[1] John Ruskin, “The Nature of Gothic” in Composition and Reading in World Literature E603B, ed. Jerome Bump (Austin: Jenn’s Copying and Binding, 2006), 207.

[2] Ruskin, The Nature of Gothic, 209.

[3] Ruskin, The Nature of Gothic, 230.

[4] Calder Loth, The Only Proper Style (Boston: Little, Brown, and Company, 1943), 154.

[5] Margaret Berry, “Brick by Golden Brick” in Composition and Reading in World Literature E603B, ed. Jerome Bump (Austin: Jenn’s Copying and Binding, 2006), 437.

[6] Loth, The Only Proper Style, 133.

[7] Robert Branner, Gothic Architecture (New York: Braziller, 1961), 10.

[8] Bryce Adams, e-mail message to Cheryl Joseph, January 28, 2006.

[9] Tom Wolfe, “I Am Charlotte Simmons” in Composition and Reading in World Literature E603B, ed. Jerome Bump (Austin: Jenn’s Copying and Binding, 2006), 371.

[10] Ruskin, The Nature of Gothic, 219.

[11] Ruskin, The Nature of Gothic, 219.

[12] Ruskin, The Nature of Gothic, 219.

[13] Frankl, Gothic Architecture, 1.

[14] Loth, The Only Proper Style, 4.

[15] Loth, The Only Proper Style, 1.

[16] Wolfe, I Am Charlotte Simmons, 363.

[17] Jerome Bump, Oxford Motto is an Allusion to Psalm 27” in Composition and Reading in World Literature E603A, ed. Jerome Bump (Austin: Jenn’s Copying and Binding, 2005), 188.

[18] Ruskin, The Nature of Gothic, 217.

[19] Ruskin, The Nature of Gothic, 217.

[20] Ruskin, The Nature of Gothic, 217.

[21] Ruskin, The Nature of Gothic, 219.

[22] Ruskin, The Nature of Gothic, 219.

[23] Ruskin, The Nature of Gothic, 219.

[24] John Newman, “The Idea of a University” in Composition and Reading in World Literature E603A, ed. Jerome Bump (Austin: Jenn’s Copying and Binding, 2005), 315.

[25] Ruskin, The Nature of Gothic, 220. 

[26] The University of Texas, Old Main, http://www.utexas.edu/tours/mainbuilding/oldmain/.

[27] The University of Texas, Old Main, http://www.utexas.edu/tours/mainbuilding/oldmain/.

[28] The University of Texas, Old Main, http://www.utexas.edu/tours/mainbuilding/oldmain/.

[29] The University of Texas, Old Main, http://www.utexas.edu/tours/mainbuilding/oldmain/.

[30] The University of Texas, Old Main, http://www.utexas.edu/tours/mainbuilding/oldmain/.

[31] The University of Texas, Out With The Old, http://www.utexas.edu/tours/mainbuilding/old-new/.

[32] The University of Texas, Out With The Old, http://www.utexas.edu/tours/mainbuilding/old-new/.

[33] The University of Texas, Out With The Old, http://www.utexas.edu/tours/mainbuilding/old-new/.