George Harrison: A Compassionate Artist

            Few people are able to trascend their ego in the face of enormous temptation, and even fewer possess the strength required to maintain this state of purity throughout their life. Both human nature and societal pressures teach us early in our lives to pursue personal success above all else. We are obsessed with achieving a life more comfortable than our present condition, striving for the opportunity to enjoy fine things and live luxuriously, and consequently glorify our egos in this desire for worldly pleasures. Time and again I have found myself questioning these ideals, searching for something more than the fleeting sensation of material happiness. To many people, the glamorized figures of prosperity appear to have it all—they are role models for a generation of future Barbies and business tycoons. However, a true leader and role model demonstrates heroism through utilizing their natural talents for the pursuit of spiritual fulfillment rather than material satisfaction. This noble effort to defeat our natural, selfish tendencies becomes especially difficult when a person has already had worldly success thrust upon them, when, by the society’s standards, they should be content with their achievements.

            The Beatles embodied the ideal that through combining determination and natural talent, one can achieve overwhelming success. Their influence on popular culture changed the face of a generation, and with this transformation came the trials and temptations of unbounded fame. Derek Taylor writes, “I had never seen anything like it. Nor heard any noise to approximate the ceaseless, frantic, hysterical scream which met the Beatles when they took the stage after what seemed like a hundred years of earlier acts. . . . the youth of Britain’s second city surrendered themselves completely.” [1] While these four young men were blinded by the light of fame and the responsibility of celebrity, one man stood out among the rest. George Harrison was “a man concerned for many years and for many reasons to send his ego packing.”[2] He was a man of purpose and compassion, and through his music and his selflessness succeeded in spreading spiritual fulfillment and peace throughout the world. As the pleasures of the flesh flooded his life, the humility and love taught by Hinduism kept George afloat. By seeking a greater understanding of the self and transcending the superficialities of a material life, Harrison found that pure love could flow through his person: “And this is his great ‘compassionate act’; for by it the truth is revealed that in the understanding of one in whom the threefold Fire of Desire, Hostility, and Delusion is dead, this world is Nirvana. ‘Gift waves’ go out from such a one for the liberation of us all”[3]

            Prior to the cultural revolution of the nineteen sixties, the world was characterized by conformity, restraint, and often fear. Radicalism and individualism were regarded with suspicion and condemned in the shadow of the Cold War. However, with the rise of a new generation of youth, a questioning of these societal norms began to incite a fire for creativity and introspective knowledge. The common standard of happiness (the family, the career, the suburban lifestyle) seemed increasingly mundane and unsatisfying. Music became a cornerstone of this cultural revolution, and the Beatles provided an appealing sound for many youths seeking an anthem to fit their ideals. “The Beatles would soon find themselves figureheads of a movement far beyond ‘pop’ where a counter-culture/alternative society was made flesh”[4] As the decade progressed, the Beatles became increasingly innovative, fueling their success as both a band and a symbol of rebellion against traditional conservatism. “Wherever they went, they brought Beatlemania with them. They couldn’t help it; it was a form of real love. George would say many years later that the world used them as an excuse to go mad and blamed it on the Beatles, but there is a parallel theory that it was time for the world to go that sort of mad—get down a bit, loosen up. . .”[5] The outlet the Beatles supplied for this wave of free-thought resulted in unchecked affluence, testing the solidarity of the group and leading to an inevitable breakup in 1970. However, rather than allowing this near-divine status to push him over the edge, Harrison transcended the temptations of success and in doing so set an example far more profound than musical inventiveness.

            By bridging the gap between Eastern and Western music and cultures, Harrison helped spread the ancient knowledge of perfect love and peace to many who were ignorant of such ideals. George’s friendship and collaboration with classical Indian performer Ravi Shankar laid the foundations of Eastern spirituality and transcendental meditation heard on much of the Beatles’ music. This relationship, along with his growing interest in Indian culture, inspired George to become the first Western musician to use a sitar, performed on the track “Norwegian Wood” on the album Rubber Soul in 1965. This became the first of many musical references to George’s newfound spirituality, and a trip to India in 1967-68 to Maharishi Mahesh Yogi’s ashram solidified his desire to devote his life to the principles of Hinduism.[6] In a world of swooning fans and unjust war and famine, the Beatles and Harrison had long been searching for a more personal creative and spiritual fulfillment. Hinduism provided George’s introspective personality an outlet, creating a stark contrast with the acid and marijuana trips that often inspired the era’s musicians. His personal doctrine followed what Campbell describes in the Bodhisattva myth, that “Peace is at the heart of all because Avalokiteshvara-Kwannon, the mighty Bodhisattva, Boundless Love, includes, regards, and dwells within (without exception) every sentient being” [7] After soaring beyond the height of fame into a state of God-like idealization, these humbling and hopeful ideals inspired a love so infectious in a man with such influence and means that a legacy of compassion was destined to follow.

            After the Beatles’ break-up in 1970, George Harrison became the first ex-Beatle to release a top-charting album with his magnificent All Things Must Pass. Though he had experimented with Eastern-inspired recording prior to this work, this album most effectively displays his passion for expanding universal peace through Indian transcendentalism. Harrison’s lyrics and their “positive, cosmic love”[8] inspired the masses and spread the teachings of Ahimsa, “the development of a mental attitude in which hatred is replaced by love.” [9] All Things Must Pass vividly illustrated Harrison’s transformed outlook of love and peace he wished to convey to his millions of fans. The title itself emphasizes the idea that time, suffering, and materialism deceptively fill the void of existence while genuine fulfillment is only attainable through recognizing the reality of eternity. The lyrics of the twenty-three songs that composed the two-disc album range from praise for life, love, and God, to laments of societal flaws. One of the most recognizable tracks, “My Sweet Lord,” presents the listener with a continuous chant of words of praise and worship,

                        Now, I really want to see you (hare rama)

                        Really want to be with you (hare rama)

                        Really want to see you lord (aaah)

                        But it takes so long, my lord (hallelujah)

                        Hm, my lord (hallelujah)

                        My, my, my lord (hare krishna)

                        My sweet lord (hare krishna)

                        My sweet lord (krishna krishna)

                        My lord (hare hare)[10]

The themes of joy and praise are continued throughout the album on tracks like “Hear Me Lord,” and George strengthened this motif with Ahimsa-inspired love and compassion in the messages of the songs “Behind That Locked Door,” “Let It Down,” “If Not For You,” and “What Is Life?” Poignant lyrics, such as “The love you are blessed with/This world's waiting for/So let out your heart, please, please/From behind that locked door,”[11]  seem to fill the air with a sense of hope that all the suffering, all the strife, all the terrible ailments of this life, can be overcome if we leave behind our selfish ways. Throughout the album, Harrison encourages the listeners to recognize the inherent flaws of society, let love into their lives, and throw out the illusions of the material world.

            What caused Harrison’s dissatisfaction with the material world and what kind of universal understanding is he trying to convey? Harrison learned through his study of Eastern spirituality that we as humans live in a false reality of separateness. We define ourselves by our characteristic traits; our talents, appearance, and achievements provide us with a concrete identity through which we can channel our behaviors. Instead of accepting our whole selves, we focus on singular aspects. Coinciding with this egregious error in judgment, we fail to recognize our connection with each other and with the world. This internal and external separateness becomes the root of all suffering in the world. It is founded in fear and transformed into anger, sadness, and frustration. This veil that separates us from seeing our ‘whole person’ must be lifted for the natural love inherent in all humans to be shared. Not only must we recognize our complete, pure self, we must also understand our relationship to the universe. Our souls are inextricably connected with nature and all other sentient beings; whether or not one believes in reincarnation is irrelevant—all beings both living and dead are linked by the same essential life force. By forgetting our selves we may share an everlasting bond of love and compassion with all things. In this state we reach true enlightenment, and only here can absolute peace and harmony exist. Ram Dass, a scholar in Eastern spirituality, states, “Beyond separateness, service replenishes. ‘To forget the Self is to be enlightened by all things.’”[12] Harrison spent his life working in the pursuit of such unity in himself and others, striving for peace and joy in both a personal and external sense. On the song “Within You Without You,” featured on the Beatles’ groundbreaking Sgt. Pepper’s Lonely Hearts Club Band, one can feel the power in George’s warning of separateness and plea for unity:

            And to see you're really only very small

            and life flows on within and without you.

            We were talking - about the love that's gone so cold and the people,

            Who gain the world and lose their soul.

            They don't know. They can't see. Are you one of them?

            When you see beyond yourself then you may find,

            peace of mind, is waiting there.

            And the time will come when you see we're all one,

            and life flows on within and without you.[13]

Our insignificance is one of our greatest fears. Directly contradicting our inflated egotism, we must recognize and embrace the triviality of our fleeting lives to free ourselves of the manacles of separateness. Life comes and goes, as does material accomplishments. As Harrison so eloquently instructs us, “we must see beyond ourselves” into the collective love and compassion we are capable of in such a unified existence.

            One year after the release of All Things Must Pass, George Harrison initiated a charity effort unprecedented in modern society. 1971 marked the culmination of terrible political strife and civil war in East Pakistan and Bangladesh, resulting in a humanitarian crisis of unimaginable proportions. “The fleeing refugees who had survived the violence in their homeland were now threatened by starvation, lack of sanitation, cholera, and other deadly illnesses. Combined with these perils was a season of natural disaster in the form of destructive floods. Predictably, most of the victims succumbing to the hardship were children.”[14] With the help and inspiration of close friend Ravi Shankar, Harrison organized the first benefit concert uniting many musicians under one cause—humanitarian relief for Bangladesh through the United Nation’s Children’s Fund (UNICEF). The sold-out Madison Square Garden event hosted Harrison, Eric Clapton, the elusive Bob Dylan, along with a notable backing band, horns, vocalists, and Ravi Shankar accompanied by a traditional Indian orchestra. The concert, along with the continuing proceeds from the box-set, continues to raise millions of dollars for the George Harrison Fund for UNICEF and bring public awareness to foreign crises, an inconvenient truth often overlooked by citizens of wealthy nations in 1971. Through this monumental effort, Harrison effectively used his natural talents to spark compassion in the hearts of an indefinite number of listeners as well as lessen the suffering of thousands of Bengali refugees. George Harrison’s Concert for Bangladesh was groundbreaking in that it “[set] the precedent that music could be used to serve a higher cause.”[15]

            Following this historic concert, George Harrison continued to employ his musical talents and personal fortune for the purpose of spreading love and enlightenment. Two years after the Concert for Bangladesh, Harrison released the album Living in the Material World to coincide with his founding of a charity of the same name to receive the benefit of the album’s profits and continuing royalties. The Material World Foundation’s intention was to “encourage the exploration of alternate and diverse forms of artistic expression, life views and philosophies as well as a way to support established charities and people with special needs.”[16] This unique focus on both spiritual and physical fulfillment continues to sponsor hundreds of different groups and individuals even to this day. George wished to spread the compassion he felt through his study of the Vedas and Indian culture, and through this charity and his musical expression his dream was realized. The foundation’s impact is unimaginable, “in some cases [it] has literally transformed people’s lives and in others has made life more bearable in the face of extreme suffering and adversity.”[17]

            Even in death, George’s compassionate legacy continues. On October 29, 2002, one year after George’s death, his many friends and admirers hosted the Concert for George to benefit his beloved Material World Foundation. Haunting renditions of Harrison’s musical masterpieces as well as traditional Indian pieces were showcased by nearly all the musicians he had worked with over his long career, all of whom were brought together by their communal admiration of George’s passion for spreading love. This celebration of George Harrison’s incredible life exemplified the enormous influence one man can have on the world—beyond popular culture and musical innovation toward the growth of unadulterated expression of love and peace.

            I find George Harrison to be a hero not so much for his iconic place in the history of popular culture, as for his persistent and unwavering efforts to spread compassion and love to all corners of the world. Both his art and his charitable endeavors have the ability to enlighten the frustrated and bring hope to the hearts of the suffering and the downtrodden. They inspire me when I feel suffocated by the pressure of the material world and remind me of the realities of human existence. They shout praise and call me to action, for “Everyone has a choice/When to and not to raise their voices/It's you that decides/Which way will you turn/While feeling that our love's not your concern/It's you that decides.”[18] I am the only one who can overcome my own ego, and we are the only ones who can make a difference in this world. It is through this universal truth that George Harrison’s heroic legacy lives on.

 

 

 

Word Count (without quotes): 1960

113 words deleted from P3A, 431 added (without quotes)

 

 

 

 

           

 

 



                [1] Derek Taylor, Fifty Years Adrift (Genesis Publications, December 1983), http://thebeatles.com/.

                [2] Derek Taylor, http://www.georgeharrison.com/imemine/.

                [3] Joseph Campbell, “Hero with a Thousand Faces,” in Composition and Reading in World Literature, ed. Jerome Bump (Austin: Jenn’s, 2007), 31.

                [4] Derek Taylor, Fifty Years Adrift (Genesis Publications, December 1983), http://thebeatles.com/.

                [5] Ibid.

                [6] “George Harrison,” Notable Names Database, http://www.nndb.com/.

                [7] Joseph Campbell, “Hero with a Thousand Faces,” in Composition and Reading in World Literature, ed. Jerome Bump (Austin: Jenn’s, 2007), 28.

                [8] Sri Swami Sivananda, “Bliss Divine,” in Composition and Reading in World Literature, ed. Jerome Bump (Austin: Jenn’s, 2007), 115.

                [9] Ibid, 115.

                [10] George Harrison, “My Sweet Lord,” on All Things Must Pass, Apple Records 7 466 888, http://web.mit.edu/scholvin/www/harrison/c301.htm#1-2.

                [11] George Harrison, “Behind That Locked Door,” on All Things Must Pass, Apple Records 7 466 888, http://web.mit.edu/scholvin/www/harrison/c301.htm#1-7.

[12] Ram Dass and Paul Gorman, How Can I Help? (New York: Alfred A. Knopff, 1990), 49.

                [13] George Harrison, “Within You Without You” on the Beatles’ Sgt. Peppers Lonely Hearts Club Band, Capitol Records.

                [14]Bangladesh and UNICEF: Crisis in Bangladesh,” The Concert for Bangladesh: George Harrison and Friends, http://www.concertforbangladesh.com/bangladeshandunicef.html.

                [15] “The Concert: About the Concert,” The Concert for Bangladesh: George Harrison and Friends, http://www.concertforbangladesh.com/abouttheconcert.html.

                [16] “About,” The Material World Foundation, http://www.georgeharrison.com/mwf/.

                [17] “About,” The Material World Foundation, http://www.georgeharrison.com/mwf/.

                [18] George Harrison, “Run of the Mill,” on All Things Must Pass, Apple Records 7 466 888, http://web.mit.edu/scholvin/www/harrison/c301.htm#1-9.