Hero to Some Degree
Perhaps my favorite part of reading Maxine
Hong Kingston’s The Woman Warrior is her beautiful descriptions of the
Chinese culture. In my previous post, I discussed how Asian-Americans are
losing their identity and their culture in attempts to fully assimilate into
American culture.
In my opinion, Kingston
can be considered somewhat of a hero with a tragic flaw. Her depictions of the
beauty of the Chinese culture in addition to its stark inequalities are moving.
However, Kingston,
to me, cannot be considered a hero or role model for younger Asians in her loss
of her own culture.
The dragon is an important symbol in the Chinese
culture. We briefly discussed this in our DB about Gwain
and The Green Knight. Kingston
beautifully personifies the
dragon as one that “lives in the sky, ocean,
marshes, and mountains, and the mountains are also its cranium. Its voice
thunders and jingles like copper pans. It breathes fire and water; and
sometimes the dragon is one, sometimes many” (Kingston 29). Her beautiful characterization
of the dragon is powerful because of my affinity for dragons. By describing
dragons as one with nature, Kingston
encourages me to be more ecologically friendly and more conscious of my affect
on destroying nature. Additionally, reading her work causes me to become more
in tune with my culture. Dragons are very symbolic to me because I was born in
the year of the dragon. Also, every time I think of a dragon, I am reminded of
my trips to Hong Kong and China
and also of my childhood when I used to go to Chinese New Year celebrations
with lion and dragon dances. Even today, I am fascinated with Chinese dragons.
Additionally, Kingston
can be considered a hero because of her honesty in her writing. In describing China,
she writes “we could
be heroines, swordswomen. Even if she had to
rage across all China, a
swordswoman got even with anybody who hurt her family” (Kingston 19). However, Kingston admits that not all could become
warriors because of the rich-poor gap. “I watched powerful men count their
money, and starving men count theirs” (Kingston
30). Thus, Kingston
realizes that anyone can be a warrior if they put their mind to it, but one
still is constricted by money. For me, this emphasizes my passion and desire to
alleviate the world of suffering by quelling the rich-poor gap.
Kingston
can be considered a hero because of her writing and way of characterizing Asian
women and their struggles. However, Kingston,
like Amy Tan, have one tragic flaw in that they
married white, Caucasian men. Now, I don’t mean to come off as racist or
against inter-racial love. However, I feel
that if Kingston is going to write a book
about minority women overcoming struggles and talk about preserving their
culture, then, marrying outside of the race does nothing to help pass on the
culture. In fact, such a child is neither full Chinese nor is it full
Caucasian. I do not have a problem with mixed race couples or their offspring,
but it seems counterintuitive to the causes she describes in her book. Especially
having taken up the last name Kingston,
I feel having an “American” name detracts from her credibility.
Nevertheless, Kingston
can be considered a hero or at least a role model. Like Toni Morrison, Maxine
Hong Kingston has portrayed her culture and struggles in a way that the reader
can identify with and become more aware about. In that way, Kingston is a role model.