In
todayÕs world, I feel there is a fine line between the ÒrealÓ world and the
digital world. While it becomes easier to blend together the two sides of our
brains, our emotions and our reasoning, new technology does pose problems. I
find the Òdigitalization of the artsÓ (Paragraph 9) as a threat to the world I
am familiar with.
One
year, our school headmaster proposed that instead of printing a yearbook, we
issue a CD of what had happened throughout the school year. The Yearbook staff
spoke out strongly against this idea, and hopefully our school will continue to
issue a yearbook long after IÕm gone. Something like a yearbook is far too
important to shrink into digital dots and dashes—holding it is a visual
and sense-related experience I know many would not want to lose. What would
happen if our childhood storybooks were shrunk to PDF format, if art was only
accessible as a JPEG? Nothing can replace the feeling of a glossy magazine in
your hands, or being read from the thick paper pages of an heirloom storybook.
So how would I like to learn? While I find myself using the Internet and digital
media every day, IÕm still very frightened of the possibility of the digital
world replacing the concrete world. Though I want to see things and hear
things, to bombard my senses from every possible angle, I also want to hold on
to a text I can feel is real. Involving all of the senses in this type of
learning immediately makes me think of the Renaissance man—well versed in
every aspect of life from the arts to the sciences, having received Òeducation
for the ÔwholeÕ personÓ (Paragraph 17). I look forward to learning how to
stretch both the right and left sides of my brain.